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1932 Martin 0-18 Parlor Guitar

It’s not often that a luthier has the opportunity to work on a pre-war Martin. This little 1932 Parlor 0-18 came to the shop in very rough condition. It took a tumble down some stairs, resulting in a long crack in the treble side of the body and several smaller cracks. In addition to this […]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar as a 1975. This confirmed the owner’s recollection that the Hummingbird was a mid-70’s […]

1977 Martin D-18 Restoration

Older Martins often need substantial work to restore them to excellent playability. Recently a 1977 Martin D-18 was brought to me for evaluation. The guitar needed a neck reset, fret work, bridge plate repair, and cracks in the top repaired. A new bone saddle and nut were also recommended. This nice solid-top Martin is worth […]

Gibson Side Crack

Gibson Artist Side Cracks This guitar was brought to me with some serious bass side damage- the owner had been keeping time on the side with his hand during a break and had cracked the side badly. The cracks ran from the shoulder all the way to the bout. This owner prefers to keep his […]

Epiphone Sheraton Tuneup

Epiphone Sheraton Tuneup and Setup One of my good customers brought me this Sheraton for some upgrades, including new pickups and a bone nut. During my initial evaluation I discovered many loose fret ends and a high tongue, which were causing string buzzing. My customer agreed to a fret dress (level, crown, and polish) and […]

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1968 Fender Jazz Bass Neck Work

A customer brought me a very cool 1968 Fender Jazz Bass neck. The neck is fretless and- as the Beatles would say, "very strange"- it had no nut slot. There was also a piece of binding missing at the heel. The customer was interested in having the … [Read More...]

The Kingston Jumbo

I've always been particularly drawn to jumbo-size acoustics. I learned to play guitar in the early 1970's when John Denver was at the height of his career, and the sound he got from his jumbo Guild 6 and 12 string guitars made an impression on me … [Read More...]

The Eminence

The Eminence is a Grand Auditorium sized guitar that I designed to provide a slight boost to the treble response, along with the clear and balanced tone that all Dogwood models are known for. A slightly smaller body depth and a more narrow waist … [Read More...]

Customer Testimonials: Taylor 12 string setup

I had a well known luthier in Columbus do a setup on my custom Taylor 12 string including having a bone saddle and nut made. The work seemed good but a while later while using the guitar for recording I noticed a strange light buzzing sound in the B … [Read More...]

Guitar Build Class: Tom S.

"I recently completed a rewarding two week twelve day deep dive into guitar building. The course was taught by Greg Maxwell of Dogwood Guitars in Mt. Vernon Ohio. “Course” is inadequate to describe this skill and technique refining experience.  … [Read More...]

Customer Testimonials: Morgan Monroe

Greg... Thanks again for the top notch work you performed on my Morgan Monroe. Although this guitar is an expendable "gigging" tool you made it sound and play like a much more expensive instrument. It sure is comforting to know someone with your … [Read More...]

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