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You are here: Home / Building A Monarch / Building a Monarch: Top and Back

Building a Monarch: Top and Back

The building of any guitar begins with selecting the woods to be used. A bookmatched set of Spruce or Cedar is selected for the top, and a back and side set is chosen for the body. Standard woods for the latter are Rosewood, Mahogany, or Maple. Many other woods can be used, and the choice is primarily one of personal taste.

The top and back sets are carefully laid out for best use of grain and figure, glued up, and thicknessed. The shapes are cut out using templates and the braces are glued into place. In a standard build, the braces are carved and shaped at this time. If the builder voices and tunes the top and back, this is done as part of the boxing process… see Part Two of this blog. The photos in the gallery below show the steps involved to make and brace the back and top of a Monarch guitar.

dogwoodguitars_blog_mahogany_01_plates dogwoodguitars_blog_mahogany_02_plates dogwoodguitars_blog_mahogany_03_plates dogwoodguitars_blog_mahogany_04_rosette dogwoodguitars_blog_mahogany_05_rosette dogwoodguitars_blog_mahogany_06_braces dogwoodguitars_blog_mahogany_07_braces dogwoodguitars_blog_mahogany_08_braces dogwoodguitars_blog_mahogany_09_braces dogwoodguitars_blog_mahogany_10_braces dogwoodguitars_blog_mahogany_11_braces dogwoodguitars_blog_mahogany_13_braces dogwoodguitars_blog_mahogany_12_braces dogwoodguitars_blog_mahogany_14_braces dogwoodguitars_blog_mahogany_15_braces dogwoodguitars_blog_mahogany_16_braces dogwoodguitars_blog_mahogany_17_braces
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Building a Monarch: Final Assembly

It is now time to assemble the guitar, dress the frets, install the bridge and pins, fit and install the tuners, make the nut and saddle, and set the final action. A pickguard is usually installed and the completed instrument is polishes and strung … [Read More...]

Repair and Restoration

Greg's deep knowledge of guitar design and construction means your acoustic or electric guitar will play better after he has worked on it. As a graduate of the esteemed Galloup School of Lutherie, Greg studied under master repairman Bryan Galloup. … [Read More...]

Blog: 1932 Martin Repair

Its not often that a luthier has the opportunity to work on a pre-war Martin. This 1932 0-18 parlor guitar needs a crack repair and a neck reset. Great care must be taken when working on such an old and fragile guitar. Get out the hot hide glue. … [Read More...]

Customer Testimonials: Strat and Tele Setups

"I have 2 guitars and have been playing for over 20 years.  In that time I have had my instruments set-up by several different companies, some that have been in the business for longer than I have been playing.  I can honestly say that no one has … [Read More...]

FAQ’s

Answers to some of the most common questions I get about my guitars, ordering, etc. What is the current turn around time for orders? My build schedule is determined by my current repair load and teaching schedule, as well as orders already in … [Read More...]

Blog: Jumbo inlay

Work continues on the Rosewood Kingston Jumbo this week, with the gold Mother of Pearl and Abalone fretboard inlay work. These crown type position markers are beautiful and I love the old-school appearance that calls to mind the Gibson SJ-200 and … [Read More...]

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Technical Articles

The Science and Theory of Tonewoods

Search out any discussion about tone and tonewoods on the internet and you will quickly find a wide variation of opinions among players and builders alike. However, the majority will almost always list "tonewoods" and/or specific species of Spruce … [Read More...]

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Viewpoint Articles

Exploring Common Guitar Myths

I am going to divide this article into two sections: Myths and misunderstandings about playability and care; and myths about tone. We will take these two topics in order. Playability and Care So, your guitar is a little hard to play, the … [Read More...]

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