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You are here: Home / Guitar Setup / The Importance of a Good Setup, Part Two

The Importance of a Good Setup, Part Two

In the first part of this article, I discussed the elements of a basic setup. These include checking the neck relief and the action at the first and twelfth frets, as well as installing new strings and performing a few other basic adjustments.

In part two, I will explain some relatively inexpensive improvements that you may want to consider when taking your guitar in for adjustment.

A more in-depth setup can include making a new bone nut and/or saddle for the guitar. These two small parts of the guitar are quite important to playability and tone, since they affect both the action and the transfer of energy from the strings to the soundboard. The saddle has the additional function of setting intonation, which determines how well your guitar will play in tune up and down the full length of the neck. Every guitar should have a bone nut and saddle to sound its best.

Bone is superior to other commonly used materials found on most factory brand guitars, such as “tusq” or plastic. This is because bone is harder and more dense which means it transmits energy more efficiently. This results in better tone. (There is a reason why the inventors of Tusq gave it a bone-sounding name!) I recommend that most guitars coming to my shop for setups get fitted with a bone nut and saddle if they don’t already have them. Previously I mentioned the subject of intonation; having a new saddle made can improve your guitar’s ability to play in tune if the original saddle was not properly compensated. And a well-made custom nut with low slots can improve string spacing and intonation.

 

A second issue that needs to be checked on every guitar is the condition of the bridge plate. Most players don’t even know what this is, and I was included in that group for many years. The bridge plate is a thin piece of hard wood, usually Maple or Rosewood, that is located inside the guitar under the bridge. The bridge plate serves as a hard surface for the ball end of the strings to ride against, preventing them from ripping through the much softer Spruce top. Because the bridge plate is a part of the “chain of resonance” of the guitar, it is also important to the tone.

An inspection mirror inside of a Gibson Hummingbird show substantial damage to the plywood bridge plate

Unbeknownst to many guitar players, the bridge plate can be slowly damaged each time they string their guitars. Unless the ball end of the string is seated correctly against the plate and oriented properly with the grain of the top, the ball will chew away at the hole in the plate as the string is tightened. Over time this ruins the plate and if not repaired it will damage the soundboard also. I am able to repair the worn bridge plate to like-new condition without removing it. Even better, I will show you how to correctly re-string the guitar so that the plate will not be damaged in the future. A simple check with a mirror will tell me the condition of your plate and if a repair is needed.

In the third part of this article, I will discuss fret maintenance services.

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About Our Name

Many people ask about our name. One of my wife's friends even asked her if I made guitars from any other wood besides Dogwood! For those familiar with the Dogwood tree, this brings a chuckle since this flowering beauty attains only a small size… … [Read More...]

Bolt-On Necks: High Tongue Frets

I am including this article as a special page in the Services Menu because of the frequency with which the issue of high tongue frets arises. The tongue is the part of the fretboard that extends into the body of the guitar. On acoustic guitars, the … [Read More...]

Blog: Spalted Maple Rosette

I love spalted wood, especially spalted Maple. My affection toward this unique combination of color and pattern goes back to the 1980's, when I became introduced to the work of James Krenov. In 1983 a friend and I discovered a huge spalted Maple … [Read More...]

Customer Testimonials: Martin Fret Work

"I took my Martin D-28 to Dogwood guitars to get it worked on, It was in pretty bad shape when I bought it used. Someone had tried to install frets on their own and it was buzzing and the action was hard to play. I called Greg and he said to stop by … [Read More...]

Pearl and Abalone Inlay

One of the most beautiful customizations to a musical instrument is the addition of shell inlay. Typically this might include peghead decorations, fretboard position markers or more elaborate motifs such as vines and flowers, and body purflings. … [Read More...]

Building a Monarch: Pearl Inlay

Shell inlays are a time-honored way of adding flair, beauty, and value to musical instruments. The two primary types of shell used in making guitar inlays are Mother of Pearl and Abalone. Each of these come in several color varieties. There are many … [Read More...]

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Technical Articles

Bolt-On Necks: High Tongue Frets

I am including this article as a special page in the Services Menu because of the frequency with which the issue of high tongue frets arises. The tongue is the part of the fretboard that extends into the body of the guitar. On acoustic guitars, the … [Read More...]

More Technical Articles

Viewpoint Articles

The Three Elements of a Great Guitar

Guitar players and collectors have so many choices available to them. New, used, factory brands, custom hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three … [Read More...]

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