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You are here: Home / Building A Monarch / Building a Monarch: The Box

Building a Monarch: The Box

Bending the sides begins the process of making a guitar body. A bending form is required for each type and size of body, and the appropriate form is installed in the bending machine. This jig uses a heating blanket and spring loaded cauls to gently bend the sides to shape. The sides are carefully laid out and matched for best use of grain and figure prior to being bent. The bent sides are clamped into a building mold that is unique to each body type, and the head and end blocks are glued into place. A parabolic sander contours the top and back sides of the rims, and kerfing is installed to strengthen the rims and to provide more gluing surface for the top and back.

Dogwood Guitars are voiced and tuned as part of the boxing process. The braces are tapered to fit notches in the rims and the top is glued on. The top braces are carved while Greg voices and tunes the top using FFT analysis software to verify the progress. When the back and top are fully voiced and tuned to the correct fundamental resonances the back is glued on, closing the box. The back and top are flush cut and the box is sanded smooth. The photos below show the progress as a Monarch body is made.

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Blog: Jumbo Neck Set

It is always exciting to arrive at neck setting day when working on a new build. Several weeks of careful work precede setting the neck: Rosette making; bending and boxing; bindings and purflings; inlay work; voicing and tuning; all separate skills … [Read More...]

Building a Monarch: Final Assembly

It is now time to assemble the guitar, dress the frets, install the bridge and pins, fit and install the tuners, make the nut and saddle, and set the final action. A pickguard is usually installed and the completed instrument is polishes and strung … [Read More...]

Why do old guitars sound better?

Why do some old guitars sound so good? Even inexpensive guitars can age into really good sounding instruments, and some old guitars attain legendary tone. Why is this? The answer can be found in one of three factors and the best … [Read More...]

The Importance of a Good Setup, Part Three

In the first two parts of this article, we have looked at basic setup services, which include setting the neck relief and string action, as well as new string installation and other basic adjustments. We have also discussed some improvements and … [Read More...]

Guitar Building, Voicing, and Repair Classes

Greg loves teaching guitar building and repair as much as he loves building guitars himself. Although not currently taking on an apprentice, Greg is offering individual classes in three areas: Acoustic and Electric Guitar Setup and Repair, Guitar … [Read More...]

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

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Technical Articles

Bolt-On Necks: High Tongue Frets

I am including this article as a special page in the Services Menu because of the frequency with which the issue of high tongue frets arises. The tongue is the part of the fretboard that extends into the body of the guitar. On acoustic guitars, the … [Read More...]

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Viewpoint Articles

The Three Elements of a Great Guitar

Guitar players and collectors have so many choices available to them. New, used, factory brands, custom hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three … [Read More...]

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