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You are here: Home / Building A Monarch / Building a Monarch: The Box

Building a Monarch: The Box

Bending the sides begins the process of making a guitar body. A bending form is required for each type and size of body, and the appropriate form is installed in the bending machine. This jig uses a heating blanket and spring loaded cauls to gently bend the sides to shape. The sides are carefully laid out and matched for best use of grain and figure prior to being bent. The bent sides are clamped into a building mold that is unique to each body type, and the head and end blocks are glued into place. A parabolic sander contours the top and back sides of the rims, and kerfing is installed to strengthen the rims and to provide more gluing surface for the top and back.

Dogwood Guitars are voiced and tuned as part of the boxing process. The braces are tapered to fit notches in the rims and the top is glued on. The top braces are carved while Greg voices and tunes the top using FFT analysis software to verify the progress. When the back and top are fully voiced and tuned to the correct fundamental resonances the back is glued on, closing the box. The back and top are flush cut and the box is sanded smooth. The photos below show the progress as a Monarch body is made.

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Building a Monarch: Binding

The quality of the binding and purfling work is one of the factors that makes a guitar a true work of art. Some builders install bindings and purflings in one step, and this can lead to less-than-perfect results. Dogwood guitars are bound using a … [Read More...]

Building a Monarch: Top and Back

The building of any guitar begins with selecting the woods to be used. A bookmatched set of Spruce or Cedar is selected for the top, and a back and side set is chosen for the body. Standard woods for the latter are Rosewood, Mahogany, or Maple. Many … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

The Mazzaroth Guitar

The Mazzaroth Guitar, Special Edition of the Eminence Model This fine instrument is the culmination of an idea I had in the 1970's after seeing a guitar that luthier Steve Klein made for Dan Peek, founding member of the group America. Inspired … [Read More...]

Why Buy a Handmade Guitar?

There are a lot of choices out there for the prospective buyer of a fine guitar. It's no secret; a handmade instrument can cost a lot. For that matter, any of the better guitars purchased from a quality manufacturer is going to command what most … [Read More...]

The Importance of a Good Setup, Part One

I've played guitar since I was in high school, which was longer ago than I care to dwell on! I am also the sort of person who lives by the axiom, "If it ain't broke don't fix it!" Because of this, I did not understand the benefits of having my … [Read More...]

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Technical Articles

Bolt-On Necks: High Tongue Frets

I am including this article as a special page in the Services Menu because of the frequency with which the issue of high tongue frets arises. The tongue is the part of the fretboard that extends into the body of the guitar. On acoustic guitars, the … [Read More...]

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Viewpoint Articles

The Three Elements of a Great Guitar

Guitar players and collectors have so many choices available to them. New, used, factory brands, custom hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three … [Read More...]

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