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You are here: Home / Pictorials / Making a Spalted Maple Rosette

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder’s signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing artwork created by Ervin Somogyi is the most extreme example among contemporary luthiers. I favor a more traditional, old school approach to design and yet I am drawn to using unusual woods in an artistic way. I am especially drawn to spalted woods, and I have some in my stash that dates back to 1983. The pictorial gallery below shows some of the elements involved with designing and building a segmented rosette using spalted Maple.

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Building a Monarch: Spraying Lacquer

Most guitar players want instruments with a high gloss finish. Nitrocellulose lacquer is the traditional finish for the best guitars. It is durable and unlike some other finishes, it can be repaired later. Oil, poly, and water-based finishes are also … [Read More...]

Customer Testimonial: Vintage Fender Jazz Bass

"Greg you are the man! This 1968 Jazz bass plays like butter. Greg has to be the premier luthier in Ohio, I wouldn't go anywhere else. I use to go to Columbus but not any more. Unlike going to the big city, Greg is most personable. And his shop is … [Read More...]

Building a Monarch: Pearl Inlay

Shell inlays are a time-honored way of adding flair, beauty, and value to musical instruments. The two primary types of shell used in making guitar inlays are Mother of Pearl and Abalone. Each of these come in several color varieties. There are many … [Read More...]

Blog: Jumbo Neck Set

It is always exciting to arrive at neck setting day when working on a new build. Several weeks of careful work precede setting the neck: Rosette making; bending and boxing; bindings and purflings; inlay work; voicing and tuning; all separate skills … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

Customer Testimonials: Voicing Class with Jacek Sliwa of Sliwa Guitars

Jacek Sliwa is considered by many to be one of the best guitar makers in Poland. His guitars exhibit a level of refined design and outstanding craftsmanship. And yet, he found that after years of building fine instruments, the goal of acheiving the … [Read More...]

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Technical Articles

Why do old guitars sound better?

Why do some old guitars sound so good? Even inexpensive guitars can age into really good sounding instruments, and some old guitars attain legendary tone. Why is this? The answer can be found in one of three factors and the best … [Read More...]

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Viewpoint Articles

The Three Elements of a Great Guitar

Guitar players and collectors have so many choices available to them. New, used, factory brands, custom hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three … [Read More...]

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