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You are here: Home / Building A Monarch / Building a Monarch: The Box

Building a Monarch: The Box

Bending the sides begins the process of making a guitar body. A bending form is required for each type and size of body, and the appropriate form is installed in the bending machine. This jig uses a heating blanket and spring loaded cauls to gently bend the sides to shape. The sides are carefully laid out and matched for best use of grain and figure prior to being bent. The bent sides are clamped into a building mold that is unique to each body type, and the head and end blocks are glued into place. A parabolic sander contours the top and back sides of the rims, and kerfing is installed to strengthen the rims and to provide more gluing surface for the top and back.

Dogwood Guitars are voiced and tuned as part of the boxing process. The braces are tapered to fit notches in the rims and the top is glued on. The top braces are carved while Greg voices and tunes the top using FFT analysis software to verify the progress. When the back and top are fully voiced and tuned to the correct fundamental resonances the back is glued on, closing the box. The back and top are flush cut and the box is sanded smooth. The photos below show the progress as a Monarch body is made.

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Repair and Restoration

Greg's deep knowledge of guitar design and construction means your acoustic or electric guitar will play better after he has worked on it. As a graduate of the esteemed Galloup School of Lutherie, Greg studied under master repairman Bryan Galloup. … [Read More...]

Shop Tour

The original Dogwood Guitars shop, located in rural central Ohio. The Dogwood Guitars shop is located in Mount Vernon, OH, having relocated back to central Ohio in August of 2017 after operating for five years in Kansas City. The shop is fully … [Read More...]

Blog: Spalted Maple Rosette

I love spalted wood, especially spalted Maple. My affection toward this unique combination of color and pattern goes back to the 1980's, when I became introduced to the work of James Krenov. In 1983 a friend and I discovered a huge spalted Maple … [Read More...]

1977 Martin D-18 Restoration

Older Martins often need substantial work to restore them to excellent playability. Recently a 1977 Martin D-18 was brought to me for evaluation. The guitar needed a neck reset, fret work, bridge plate repair, and cracks in the top repaired. A new … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

Guitar Build Class: Tom S.

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Technical Articles

Why do old guitars sound better?

Why do some old guitars sound so good? Even inexpensive guitars can age into really good sounding instruments, and some old guitars attain legendary tone. Why is this? The answer can be found in one of three factors and the best … [Read More...]

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There are a lot of choices out there for the prospective buyer of a fine guitar. It's no secret; a handmade instrument can cost a lot. For that matter, any of the better guitars purchased from a quality manufacturer is going to command what most … [Read More...]

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