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Customer Testimonial: Dogwood Monarch

"I loved my handcrafted Yamaha LX5 until I played my brother's Larrivee. So I bought a Larrivee. The Dogwood acoustic makes my Larrivee sound like my old Yamaha. The Dogwood is superior to my Larrivee D-03R in every way - tone, action - even looks. I … [Read More...]

Humidity, Temperature, and Your Guitar

Maintaining your wooden instruments at an appropriate level of humidity year round is vital to their health and well-being. It is surprising how many owners of expensive instruments are unaware of this. I suppose that the primary reason is a lack … [Read More...]

Bending Machine

Building a Monarch: The Box

Bending the sides begins the process of making a guitar body. A bending form is required for each type and size of body, and the appropriate form is installed in the bending machine. This jig uses a heating blanket and spring loaded cauls to gently … [Read More...]

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

Building a Monarch: Pearl Inlay

Shell inlays are a time-honored way of adding flair, beauty, and value to musical instruments. The two primary types of shell used in making guitar inlays are Mother of Pearl and Abalone. Each of these come in several color varieties. There are many … [Read More...]

Building a Monarch: Top and Back

The building of any guitar begins with selecting the woods to be used. A bookmatched set of Spruce or Cedar is selected for the top, and a back and side set is chosen for the body. Standard woods for the latter are Rosewood, Mahogany, or Maple. Many … [Read More...]

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Technical Articles

The Science and Theory of Tonewoods

Search out any discussion about tone and tonewoods on the internet and you will quickly find a wide variation of opinions among players and builders alike. However, the majority will almost always list "tonewoods" and/or specific species of Spruce and Cedar as the key to getting the desired tone from a guitar. Indeed, many beginning builders agonize over wood choice combinations as they relate to tone, with more experienced craftspeople offering suggestions that seem to assure the correct … [Read More...]

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Viewpoint Articles

The Three Elements of a Great Guitar

Guitar players and collectors have so many choices available to them. New, used, factory brands, custom hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three characteristics: Tone, playability, and appearance. I list these in order of priority. While all three should be excellent, many players go for the eye candy first. But first and foremost a guitar must have great tone to be a great guitar. Abalone trim, perfectly … [Read More...]

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