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You are here: Home / Pictorials / Repairs / 1977 Martin D-18 Restoration

1977 Martin D-18 Restoration

Older Martins often need substantial work to restore them to excellent playability. Recently a 1977 Martin D-18 was brought to me for evaluation. The guitar needed a neck reset, fret work, bridge plate repair, and cracks in the top repaired. A new bone saddle and nut were also recommended. This nice solid-top Martin is worth having this kind of work done, and the result will be a good-sounding instrument that is easy to play. Check out the photo galleries below for details about the work.

Neck Reset

Many older guitar need a neck reset to restore the correct neck-to-body angle. Over the years, string tension causes the top of the guitar to bend, decreasing the neck angle and causing the string action to become high. Once the saddle has been lowered as much as it can be to correct high action, a neck reset is called for. A skilled luthier can diagnose this problem and perform the work.

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Pick Guard Replacement and Crack Repairs

Cracks caused by pickguard shrinkage are a very common problem on older Martins. The plastic guards were glued directly to the bare Spruce top prior to finishing, and when they shrink the Spruce top cracks. This problem is exhilarated by when guitars are not kept hydrated during the dry months of the year. This is a common and routine repair.

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Bridge Plate Repair


The bridge plate is perhaps the most ignored part of a guitar, but it performs an important function; it provides a hard surface for the ball end of the strings to ride against. Without a bridge plate, the ball ends would tear up through the soft Spruce top. The plate (located inside the guitar underneath the bridge) is also an important part of the transfer of energy from the strings to the top. Over time, incorrectly stringing a guitar causes damage to the plate and eventually it must be repaired. This damage is preventable with correct stringing technique.

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Location

Dogwood Guitars is located in beautiful rural Knox County Ohio, on state route 3 between Centerburg and Mount Vernon. Less than an hour from Columbus, Delaware, and Mansfield, we serve the entire central Ohio area with full-service setup and repairs. … [Read More...]

About Greg Maxwell

I've lived in central Ohio my entire life, and I've built things for as long as I can remember. I cut my teeth as a woodworker doing fancy interior wood trim for a custom home builder in the early 80's after deciding that performing music for a … [Read More...]

Blog: Jumbo inlay

Work continues on the Rosewood Kingston Jumbo this week, with the gold Mother of Pearl and Abalone fretboard inlay work. These crown type position markers are beautiful and I love the old-school appearance that calls to mind the Gibson SJ-200 and … [Read More...]

Humidity, Temperature, and Your Guitar

Maintaining your wooden instruments at an appropriate level of humidity year round is vital to their health and well-being. It is surprising how many owners of expensive instruments are unaware of this. I suppose that the primary reason is a lack … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

Legacy Benchworks Furniture

Greg owned his own custom furniture making shop from 1983 through 1996. The company was called Legacy Benchworks, and most of the work involved high end one-off custom furniture, as well as the more standard cabinetry such as kitchen cabinets and … [Read More...]

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Technical Articles

The Science and Theory of Tonewoods

Search out any discussion about tone and tonewoods on the internet and you will quickly find a wide variation of opinions among players and builders alike. However, the majority will almost always list "tonewoods" and/or specific species of Spruce … [Read More...]

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The Three Elements of a Great Guitar

Guitar players and collectors have so many choices available to them. New, used, factory brands, custom hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three … [Read More...]

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