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You are here: Home / Pictorials / Making a Spalted Maple Rosette

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder’s signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing artwork created by Ervin Somogyi is the most extreme example among contemporary luthiers. I favor a more traditional, old school approach to design and yet I am drawn to using unusual woods in an artistic way. I am especially drawn to spalted woods, and I have some in my stash that dates back to 1983. The pictorial gallery below shows some of the elements involved with designing and building a segmented rosette using spalted Maple.

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Shop Tour

The original Dogwood Guitars shop, located in rural central Ohio. The Dogwood Guitars shop is located in Mount Vernon, OH, having relocated back to central Ohio in August of 2017 after operating for five years in Kansas City. The shop is fully … [Read More...]

The Eminence

The Eminence is a Grand Auditorium sized guitar that Greg designed to provide a little extra high frequency (treble) response, along with the clear and balanced tone that all Dogwood models are known for. A slightly smaller body depth and a very … [Read More...]

Bending Machine

Building a Monarch: The Box

Bending the sides begins the process of making a guitar body. A bending form is required for each type and size of body, and the appropriate form is installed in the bending machine. This jig uses a heating blanket and spring loaded cauls to gently … [Read More...]

1977 Martin D-18 Restoration

Older Martins often need substantial work to restore them to excellent playability. Recently a 1977 Martin D-18 was brought to me for evaluation. The guitar needed a neck reset, fret work, bridge plate repair, and cracks in the top repaired. A new … [Read More...]

Lutherie Classes: Acoustic Guitar Building Class

Guitar Building Class Have you ever wanted to build your own high quality acoustic guitar, but were intimidated by the amount of tools, jigs, and skills involved? Here is your opportunity to work one-on-one with an experienced professional luthier … [Read More...]

Blog: 1932 Martin Repair

Its not often that a luthier has the opportunity to work on a pre-war Martin. This 1932 0-18 parlor guitar needs a crack repair and a neck reset. Great care must be taken when working on such an old and fragile guitar. Get out the hot hide glue. … [Read More...]

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Technical Articles

The Science and Theory of Tonewoods

Search out any discussion about tone and tonewoods on the internet and you will quickly find a wide variation of opinions among players and builders alike. However, the majority will almost always list "tonewoods" and/or specific species of Spruce and Cedar as the key to getting the desired tone from a guitar. Indeed, many beginning builders agonize over wood choice combinations as they relate to tone, with more experienced craftspeople offering suggestions that seem to assure the correct … [Read More...]

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Viewpoint Articles

The Three Elements of a Great Guitar

Guitar buyers and collectors have so many choices available to them. New, used, factory brands, hand built...how do you narrow down the choices to the best option for you? In my opinion, any guitar should be measured by three characteristics: Tone, playability, and appearance. I list these in order of priority. While all three should be excellent, many players go for the eye candy first. But first and foremost a guitar must have great tone to be a great guitar. Abalone trim, perfectly … [Read More...]

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