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Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

Customer Testimonial: Dogwood Monarch

"I loved my handcrafted Yamaha LX5 until I played my brother's Larrivee. So I bought a Larrivee. The Dogwood acoustic makes my Larrivee sound like my old Yamaha. The Dogwood is superior to my Larrivee D-03R in every way - tone, action - even looks. I … [Read More...]

Customer Testimonial: Gibson Setup

"I thought my new Gibson acoustic played pretty well until I had Greg set it up for me. Wow! I could tell a real difference in the action. Based on that experience I had him do a fret dress on an older Ibanez and again, I was surprised at how much … [Read More...]

Guitar Build Class: Tom S.

"I recently completed a rewarding two week twelve day deep dive into guitar building. The course was taught by Greg Maxwell of Dogwood Guitars in Mt. Vernon Ohio. “Course” is inadequate to describe this skill and technique refining experience. … [Read More...]

1932 Martin 0-18 Parlor Guitar

It's not often that a luthier has the opportunity to work on a pre-war Martin. This little 1932 Parlor 0-18 came to the shop in very rough condition. It took a tumble down some stairs, resulting in a long crack in the treble side of the body and … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]