Kingston Jumbo neck inlays

1932 Martin 0-18 Parlor Guitar

It's not often that a luthier has the opportunity to work on a pre-war Martin. This little 1932 Parlor 0-18 came to the shop in very rough condition. It took a tumble down some stairs, resulting in a long crack in the treble side of the body and … [Read More...]

Customer Testimonials: A. B. Manson Acoustic

"I recently had major work done by Greg Maxwell on my very expensive and treasured old guitar. Boy, am I glad that I found Greg, because I do not think any other luthier would have given the time and effort this project required. My guitar needed … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

1968 Fender Jazz Bass Neck Work

A customer brought me a very cool 1968 Fender Jazz Bass neck. The neck is fretless and- as the Beatles would say, "very strange"- it had no nut slot. There was also a piece of binding missing at the heel. The customer was interested in having the … [Read More...]

Guitar Build Class: Tom S.

"I recently completed a rewarding two week twelve day deep dive into guitar building. The course was taught by Greg Maxwell of Dogwood Guitars in Mt. Vernon Ohio. “Course” is inadequate to describe this skill and technique refining experience. … [Read More...]