Mother of Pearl Inlay

Customer Testimonial: Mosrite

"I've owned this vintage 1960's Mosrite "Ventures" model guitar for thirty years and have finally found a luthier I can trust to work on it. Greg agreed to do the work while I waited and it was obvious from the beginning that he knew what he was … [Read More...]

Customer Testimonials: European Maple Eminence

"Several years ago when I found out that Greg was starting to make hand made guitars, I knew that I wanted one. Did I need one? No, but that didn't mean I wanted it any less! This past January my wife out of the blue said I should contact Greg and … [Read More...]

The Eminence

The Eminence is a Grand Auditorium sized guitar that I designed to provide a slight boost to the treble response, along with the clear and balanced tone that all Dogwood models are known for. A slightly smaller body depth and a more narrow waist … [Read More...]

1968 Fender Jazz Bass Neck Work

A customer brought me a very cool 1968 Fender Jazz Bass neck. The neck is fretless and- as the Beatles would say, "very strange"- it had no nut slot. There was also a piece of binding missing at the heel. The customer was interested in having the … [Read More...]

Customer Testimonials: Martin Fret Work

"I took my Martin D-28 to Dogwood guitars to get it worked on, It was in pretty bad shape when I bought it used. Someone had tried to install frets on their own and it was buzzing and the action was hard to play. I called Greg and he said to stop by … [Read More...]

The Kingston Jumbo

I've always been particularly drawn to jumbo-size acoustics. I learned to play guitar in the early 1970's when John Denver was at the height of his career, and the sound he got from his jumbo Guild 6 and 12 string guitars made an impression on me … [Read More...]