Purfling miters

1932 Martin 0-18 Parlor Guitar

It's not often that a luthier has the opportunity to work on a pre-war Martin. This little 1932 Parlor 0-18 came to the shop in very rough condition. It took a tumble down some stairs, resulting in a long crack in the treble side of the body and … [Read More...]

The Eminence

The Eminence is a Grand Auditorium sized guitar that I designed to provide a slight boost to the treble response, along with the clear and balanced tone that all Dogwood models are known for. A slightly smaller body depth and a more narrow waist … [Read More...]

Customer Testimonials: Morgan Monroe

Greg... Thanks again for the top notch work you performed on my Morgan Monroe. Although this guitar is an expendable "gigging" tool you made it sound and play like a much more expensive instrument. It sure is comforting to know someone with your … [Read More...]

Customer Testimonial: Dogwood Monarch

"I loved my handcrafted Yamaha LX5 until I played my brother's Larrivee. So I bought a Larrivee. The Dogwood acoustic makes my Larrivee sound like my old Yamaha. The Dogwood is superior to my Larrivee D-03R in every way - tone, action - even looks. I … [Read More...]

1968 Fender Jazz Bass Neck Work

A customer brought me a very cool 1968 Fender Jazz Bass neck. The neck is fretless and- as the Beatles would say, "very strange"- it had no nut slot. There was also a piece of binding missing at the heel. The customer was interested in having the … [Read More...]

Guitar Build Class: Tom S.

"I recently completed a rewarding two week twelve day deep dive into guitar building. The course was taught by Greg Maxwell of Dogwood Guitars in Mt. Vernon Ohio. “Course” is inadequate to describe this skill and technique refining experience. … [Read More...]