Lauren_inlay

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

1977 Martin D-18 Restoration

Older Martins often need substantial work to restore them to excellent playability. Recently a 1977 Martin D-18 was brought to me for evaluation. The guitar needed a neck reset, fret work, bridge plate repair, and cracks in the top repaired. A new … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

Customer Testimonial: Mosrite

"I've owned this vintage 1960's Mosrite "Ventures" model guitar for thirty years and have finally found a luthier I can trust to work on it. Greg agreed to do the work while I waited and it was obvious from the beginning that he knew what he was … [Read More...]

Exceptional Tonewoods

Fine wood is the heart of every Dogwood guitar. Greg has been collecting rare and highly figured wood for over three decades, and he is always on the lookout for the best sets of both top and back/side wood for his custom guitars. Exotic wood of the … [Read More...]

The Kingston Jumbo

I've always been particularly drawn to jumbo-size acoustics. I learned to play guitar in the early 1970's when John Denver was at the height of his career, and the sound he got from his jumbo Guild 6 and 12 string guitars made an impression on me … [Read More...]