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Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

1968 Fender Jazz Bass Neck Work

A customer brought me a very cool 1968 Fender Jazz Bass neck. The neck is fretless and- as the Beatles would say, "very strange"- it had no nut slot. There was also a piece of binding missing at the heel. The customer was interested in having the … [Read More...]

The Eminence

The Eminence is a Grand Auditorium sized guitar that I designed to provide a slight boost to the treble response, along with the clear and balanced tone that all Dogwood models are known for. A slightly smaller body depth and a more narrow waist … [Read More...]

Customer Testimonials: Morgan Monroe

Greg... Thanks again for the top notch work you performed on my Morgan Monroe. Although this guitar is an expendable "gigging" tool you made it sound and play like a much more expensive instrument. It sure is comforting to know someone with your … [Read More...]

1975 Gibson Hummingbird Restoration

While meeting with a customer and his daughter about designing a guitar for her, he showed me his Gibson Hummingbird that his daughter had been playing. Using the serial number and other identifying characteristics, I was able to date the guitar … [Read More...]

Customer Testimonials: Monarch 12 String

"Greg Maxwell's 12-string Monarch guitar is the product of an artist. I played the guitar among a small of group of rock-climbing paramedics during my interim stay in Richmond, Kentucky, before returning to Kailua, Hawaii, and the comments about the … [Read More...]