Dogwood Guitars

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I build guitars, not because the world needs more guitars but because the world needs guitars with better tone. My guitars are made one at a time using carefully selected tops that have been tested for sonic superiority using a cutting-edge computer-assisted process. These tops are matched with beautiful select tonewoods to make extraordinary guitars that are both beautiful and responsive. You’ll hear the clarity and balance that results from my computer-assisted voicing process. Custom rosettes and shell inlay are available to make your Dogwood Guitar a one-of-a-kind instrument.

gregAll my guitars feature specially graded tops, carefully selected side and back woods, solid wood bindings, custom Dogwood peghead and bridges, hot hide glue construction (the traditional luthier’s glue known for excellent tonal transfer properties and strength), and bone nuts and saddles. I use nitrocellulose lacquer for a high gloss traditional finish that won’t dampen tone. Each guitar is hand voiced and tuned using a combination of ear and software, making the process both art and science.

I have over 30 years worth of high end woodworking experience and I’ve played guitar both on stage and in the studio since high school. I have a passion for excellence and while I love a beautiful guitar my first priority is tone. After all, anyone with the right tools and some skill can make a pretty guitar, but if the tone is average its just another guitar. I studied under Bryan Galloup with a special focus on learning what makes a great guitar (or an average one) sound the way it does. My quest is to make your Dogwood guitar the standout in your collection, both in appearance as well as in responsiveness, clarity, balance, and depth.

Greg Maxwell

1968 Fender Jazz Bass Neck Work

A customer brought me a very cool 1968 Fender Jazz Bass neck. The neck is fretless and- as the Beatles would say, "very strange"- it had no nut slot. There was also a piece of binding missing at the heel. The customer was interested in having the … [Read More...]

Making a Spalted Maple Rosette

The rosette on an acoustic guitar, along with the peghead and bridge designs, is a big part of the custom builder's signature. Often a particular design will immediately identify the guitar as being made by a specific individual. Perhaps the amazing … [Read More...]

Customer Testimonials: A. B. Manson Acoustic

"I recently had major work done by Greg Maxwell on my very expensive and treasured old guitar.  Boy, am I glad that I found Greg, because I do not think any other luthier would have given the time and effort  this project required.  My guitar needed … [Read More...]

Customer Testimonial: Dogwood Monarch

"I loved my handcrafted Yamaha LX5 until I played my brother's Larrivee. So I bought a Larrivee. The Dogwood acoustic makes my Larrivee sound like my old Yamaha. The Dogwood is superior to my Larrivee D-03R in every way - tone, action - even looks. I … [Read More...]

Customer Testimonial: Gibson Setup

"I thought my new Gibson acoustic played pretty well until I had Greg set it up for me. Wow! I could tell a real difference in the action. Based on that experience I had him do a fret dress on an older Ibanez and again, I was surprised at how much … [Read More...]

1977 Martin D-18 Restoration

Older Martins often need substantial work to restore them to excellent playability. Recently a 1977 Martin D-18 was brought to me for evaluation. The guitar needed a neck reset, fret work, bridge plate repair, and cracks in the top repaired. A new … [Read More...]

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